A danced production of Hamlet ends where it started; or, rather, it had started where it ends. We all know, whether or not we’re familiar with the intricacies of the plot, that Hamlet is a deeply tragic Shakespearean work. Thusly, Ex Machina and Côté Danse, in their entirely danced version of the classic, refuse to indulge the possibility that audiences to its “contemporary-slash-neoclassical Western dance company’s” staging of the classic might be surprised at the final scene’s bloodbath, instead cluing them immediately into the fact that the breathing bodies they see onstage throughout the piece will cease to breathe at its closing.