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Category / Artist Talks

Hayley Cutler X Claire Alrich on No Dead Ends by darlingdance at The Kreeger Museum

In this video, Claire Alrich talks to Hayley Cutler about her new show, No Dead Ends at The Kreeger Museum. From music, to Maida Withers , to a ten-year anniversary, Cutler grants us the absurd and tonally bizarre. No Dead Ends is an absurdist romp through an abundant landscape, a celebration of lusciousness in nature and form. It is playful, curious, and rooted in unison, athleticism, and joy. No Dead Ends is inspired by its site and partner, The Kreeger Museum, its architecture, and Carmen Kreeger, a visionary woman and lover of life’s artistic and sporting delights.

Sarah Beth Oppenheim X Blythe on Wolver Maroon by Heart Stück Bernie

In this video, Blythe talks to Sarah Beth Oppenheim about Wolver Maroon. From community, to child care, to the history between, Oppenheim lets shares the light and humor of her creative process. Wolver Maroon is a feminine howl at the blood moon. From stark solo moments to a raucous ensemble of 32, the work includes art direction from Ben Furgal, lighting from Ben Levine, as well as costumes by Claire Alrich and Faryn Kelly. It is Heart Stück Bernie’s newest dance theater work that explores existential “whys” to “question, upend, carry, and hold us all accountable for day on the other side of night.”

After you leave this, I hope you are better – Ashayla Byrd reflects on Chitra Subramanian at Atlas INTERSECTIONS Festival

“I brought you this from home. I hope that’s okay,” she offers.  The ever-prepared mother that she is, her coffee-filled thermos, two cups, cream, and sugar offer me warm, liquid respite from the biting cold of a DC morning in early February. I am in a coffee era at present, and this homemade cup of energy and comfort hit the spot.  “Of course, it is. You are too kind,” I say, taken with–yet unsurprised by–her thoughtfulness. In the common area of a chic apartment complex, our bodies and minds thaw to begin a new day, one that affords me the opportunity to converse with and briefly shadow Indian-American dancer, choreographer, educator, and human embodiment of serenity–I added that last bit–Chitra Subramanian.

DITD talks with Emily Ames and Rae Luebbert about a long side: a queer double portrait

Tangling the innate comedy of the body with its capacity for sublime beauty, make me a monument is a new, site-specific performance for the Dance Place theater. With post-modern dance, object theater, and a dash of musical theater razzle-dazzle, this work conceptualizes monument-making as a way of shaping communal spaces, celebrating mortality, and embodying memory. Featuring a collaborative cast of 8 dancers, an original sound score, and a morphing fabric set, this performance invites you (the audience) into a world that unwinds and rewinds, creates connections and shifts perspective.
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