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Category / Artist Talks

Sarah Beth Oppenheim X Blythe on Wolver Maroon by Heart Stück Bernie

In this video, Blythe talks to Sarah Beth Oppenheim about Wolver Maroon. From community, to child care, to the history between, Oppenheim lets shares the light and humor of her creative process. Wolver Maroon is a feminine howl at the blood moon. From stark solo moments to a raucous ensemble of 32, the work includes art direction from Ben Furgal, lighting from Ben Levine, as well as costumes by Claire Alrich and Faryn Kelly. It is Heart Stück Bernie’s newest dance theater work that explores existential “whys” to “question, upend, carry, and hold us all accountable for day on the other side of night.”

Jane Raleigh X Sona Kharatian of The Washington Ballet

Dancing in the District presents an evening with Sona Kharatian! Enjoy a special presentation of former dancer of The Washington Ballet principal dancer and dark-eyed slayer of souls, Sona Kharatian! In this interview, Sona talks to the incomparable Jane Raleigh about her storied ballet career, her family dance lineage and more!

After you leave this, I hope you are better – Ashayla Byrd reflects on Chitra Subramanian at Atlas INTERSECTIONS Festival

“I brought you this from home. I hope that’s okay,” she offers.  The ever-prepared mother that she is, her coffee-filled thermos, two cups, cream, and sugar offer me warm, liquid respite from the biting cold of a DC morning in early February. I am in a coffee era at present, and this homemade cup of energy and comfort hit the spot.  “Of course, it is. You are too kind,” I say, taken with–yet unsurprised by–her thoughtfulness. In the common area of a chic apartment complex, our bodies and minds thaw to begin a new day, one that affords me the opportunity to converse with and briefly shadow Indian-American dancer, choreographer, educator, and human embodiment of serenity–I added that last bit–Chitra Subramanian.

DITD talks with Emily Ames and Rae Luebbert about a long side: a queer double portrait

Tangling the innate comedy of the body with its capacity for sublime beauty, make me a monument is a new, site-specific performance for the Dance Place theater. With post-modern dance, object theater, and a dash of musical theater razzle-dazzle, this work conceptualizes monument-making as a way of shaping communal spaces, celebrating mortality, and embodying memory. Featuring a collaborative cast of 8 dancers, an original sound score, and a morphing fabric set, this performance invites you (the audience) into a world that unwinds and rewinds, creates connections and shifts perspective.

An interview with Claire Alrich on her show, MAKE ME A MONUMENT

Tangling the innate comedy of the body with its capacity for sublime beauty, make me a monument is a new, site-specific performance for the Dance Place theater. With post-modern dance, object theater, and a dash of musical theater razzle-dazzle, this work conceptualizes monument-making as a way of shaping communal spaces, celebrating mortality, and embodying memory. Featuring a collaborative cast of 8 dancers, an original sound score, and a morphing fabric set, this performance invites you (the audience) into a world that unwinds and rewinds, creates connections and shifts perspective.
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