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After you leave this, I hope you are better – Ashayla Byrd reflects on Chitra Subramanian at Atlas INTERSECTIONS Festival

“I brought you this from home. I hope that’s okay,” she offers.  The ever-prepared mother that she is, her coffee-filled thermos, two cups, cream, and sugar offer me warm, liquid respite from the biting cold of a DC morning in early February. I am in a coffee era at present, and this homemade cup of energy and comfort hit the spot.  “Of course, it is. You are too kind,” I say, taken with–yet unsurprised by–her thoughtfulness. In the common area of a chic apartment complex, our bodies and minds thaw to begin a new day, one that affords me the opportunity to converse with and briefly shadow Indian-American dancer, choreographer, educator, and human embodiment of serenity–I added that last bit–Chitra Subramanian.

Come On In, It’s Hard Outside – New Releases Choreographers Showcase at Dance Place by Ashayla Byrd

Spring has sprung, and I already have whiplash. Choruses of birds harmonize with the rising of the morning sun. Wandering eyes and perspiring bodies search for the perfect, shaded space to lay out their blankets and break bread with those they hold dear. The girls, gays, theys, and their company–freshly outside, equipped with glitter, and drafting Pride itineraries–scroll through their feeds to discover that there are fewer events happening this year than last year. And why are there only Black and Brown hands grabbing items in Target’s TikToks for their spring releases? Don’t they remember that they rolled back their DEI initiatives? Curious. 

Alice by The Washington Ballet at Capital One Hall by Luella Christopher

Capital One Hall bristled with excitement as theatergoers entered in fancy clothes, crowns, and a few rabbit ears for the Saturday noon matinee of ALICE, the creation of Washington Ballet director and choreographer Edwaard Liang. An ambitious visual and dramatic spectacle pummeled the audience, despite characters and a plot line not always easy to follow for devotees of the original story by Lewis Carroll or the beloved 1950 Disney film version. To wit, wasn’t that Alice herself sitting under a tree reading a book in the opening scene of the book and movie? With the long skirt and rocking chair, we figure on an adult - likely the mother. In truth, it’s The SIster (Noura Sander)! Alice sits nearby, attired in her signature blue dress with white pinafore (short, which will reveal her ballet technique to maximum effect).

What’s Up With Those Chairs? Company | E at Atlas INTERSECTIONS by Ashayla Byrd

A sculpture of grey office chairs sits piled at the center of the Sprenger Theater; the curtains are wide open. Their arrangement, though intentional, looks haphazard and disheveled. The stark, white spotlight shining down on them creates an eerie feeling, at least for me. The pile is flanked by two handheld, industrial lights. I enter this experience feeling intrigued. Given the job market and the political sphere, the sight of more than two desk chairs in any locality just skeeves me out. I know that I am about to witness Company | E, but what’s the deal with these chairs? 
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